Helen Zughaib

Surfing through WATER, WATER EVERYWHERE ~ Poems, Short Prose & Art I just could not resist to ask permission to Jennifer Heath, curator of the show Water Water Everywhere Pean to a Vanishing Resource, and to artist Helen Zughaib to include this beautiful artwork to my blog:


Painting by Helen Zughaib©

Moonlight Fishing

A recollection of days gone by before Kuwait struck it rich with oil. Pearl diving is now just a highly respected folkloric celebration to remind the younger generation of the old days. Moonlight Fishing is a paean to a vanished tradition, a vanished resource.

Helen Zughaib was born in Beirut, Lebanon, and lived mostly in the Middle East and Europe before coming to the United States to study art. She received her BFA from Syracuse University, College of Visual and Performing Arts. She paints using gouache and ink on board, transforming her subjects into a combination of colors and patterns, creating a nontraditional sense of space and perspective.

Zughaib has exhibited widely in New York and the Washington D.C. area. Her paintings are included in more than 80 private and public collections, including the White House, World Bank, Library of Congress, United States Consulate General, Vancouver, Canada, American Embassy in Baghdad, Iraq, and the Arab American National Museum in Detroit, Michigan. Most recently, she served as United States Cultural Envoy to the West Bank, Palestine.

Zughaib feels that her background in the Middle East allows her to approach the experiences she has in the U.S. in a unique way, remaining an observer of both the Arab and American cultures. She believes that the arts are one of the most important tools we have to help shape and foster dialogue and positive ideas about the Middle East.

Hopefulness, healing, and spirituality, are all themes that are woven into her work.

Moonlight Fishing, 24 x 24, gouache on board, collection of Russ Conlan and Doug Hansen.

18th Street Arts Center Celebrating 25 Years

18th Street Arts Center

Celebrating 25 Years

Join us for 18th Street Arts Center’s 25th Anniversary Weekend Celebration.
A Milestone so big we need two days to celebrate!

Saturday, Oct 25th
6pm – 10pm
At 18th Street Arts Center
Tickets: $125/person
More about our Saturday activities»
Sunday, Oct 26th
5th Annual BAM – Beer Art & Music Festival
1pm – 5pm
At 18th Street Arts Center
More about our Sunday activities »

To honor all that has happened on our campus over the last 25 years, on Saturday October 25, we will have a benefit art sale hosted in partnership with Saatchi Art including notable past and present 18th Street artists, historic self-guided tours, unique performance art presentations by Barbara T. Smith, Dan Kwong, and Marcus Kuiland-Nazario, video art installations, and more. Not to mention musical entertainment by Angel Luis Figueroa & Los Tres Caballeros and DJ sets by artist Ofunne Obiamiwe. Also, we truly can’t forget to mention that visual artist, folk singer, and 18th Street alum Phranc will be leading the evening’s festivities.


We are excited to share the exciting full line-up of artists with you of artists for 18is25


Luciana Abait | Lita Albuquerque | Jerri Allyn | Jacki Apple | Shagha Ariannia | Elena Bajo | Michael W. Barnard | Joe Biel | Dark Bob | Nancy Buchanan | Clayton Campbell | Susanna Bixby Dakin | Laddie John Dill | Alex Donis | Barbara Drucker | Ala Ebtekar | Patricia Fernández | Yvette Gellis | Mark Steven Greenfield | Ramiro Gomez | Alexandra Grant | Paul Harryn | Asher Hartman | David Hendren | Ulysses Jenkins | Kate Johnson | Arzu Arda Kozar | Suzanne Lacy | Francisco Letelier | Nuttaphol Ma | John Malpede | Judith Margolis | Michael J. Masucci | Max Maslansky | David McDonald | Christina McPhee | Rebeca Mendez | Diane Meyer | Mike Mollett | Amitis Motevalli | Richard Newton | Warren Neidich | Eamon Ore-Giron | David Palmer | Maria Porges | Gala Porras-Kim | Tim Portlock | William Powhida | Astrid Preston | Nusra Qureshi | Vincent Ramos | Joaquin Segura | Anne Seidman | Kyungmi Shin | Julius Shulman | Denise Uyehara | Linda Vallejo | Consuelo Velasco Montoya | Suzan Woodruff | Michiko Yao

18is25 Honorary Grand Marshall

Dan Kwong, Marcus Kuiland-Nazario, and Barbara T. Smith

Michael Masucci, Kate Johnson, Asher Hartman, and Ulysses Jenkins

James Rojas of Place it!

October 26th, 2014 | 1-5PM

 Sunday, October 26 from 1 – 5pm, we will host the anniversary-edition of our signature fundraiser Beer Art & Music Festival(BAM). This lively afternoon festival will include unlimited tastings from over 40 specially selected craft breweries including well-known national breweries and local favorites like Smog City, Golden Road Brewery, the newly-opened Santa Monica Brew Works, and Three Weavers Brewing Co, art crash courses, the benefit art sale continues in the main gallery, local artists and organizations in residence Michael W. Barnard, Miha Štrukelj, Cheryl Walker, and Yujun Ye will have their studios open and rumor has it Claudia Borgna will be interacting in the crowd, local live music, food trucks, and more.

Don’t want to drive? There will be FREE bike valet, so cruise on down! 1639 18th Street, Santa Monica!

1639 18th Street
Santa Monica, CA 90404
Phone: 310.453.3711
Fax: 310.453.4347
Email: office@18thstreet.org
Gallery: 11am-5:30pm, M-F
Office: 10am-6:00pm, M-F




FIND OUT MORE THROUGH THIS LINK : http://www.alchemyfilmfestival.org.uk/2013/residencies/

timthumb.php2013 RESIDENCIES

Six artists’ moving image residencies held in the Ettrick Valley, Scotland. Each residency is four weeks in duration and will be held from 1st to 29th October 2013. Participants will be chosen by an independent international jury of established filmmaker-artists and arts professionals.
• £500 will be paid to each participant toward travel, time and materials.
• An additional £400 is available for living expenses (£100 per week).
• Free participation in six artists’ film and moving image master-classes.
• Free accommodation in the Scottish Borders, Scotland.
• Opportunity to show work at the 2014 Alchemy Film and Moving Image Festival.
• There is no application fee.

Travel to and from the residency location is the responsibility of the participant.

Please read the following information before applying. The application form is at the bottom of the page.


Alchemy Film and Moving Image Festival is dedicated to screening high profile experimental film and moving image works, related to an overarching theme exploring humankind’s relationship to nature in its broadest sense. Our theme for the next festival is ‘DreamLand.’ It will be held in Hawick, Scotland from 4th – 6th April 2014. The residencies will be supported by the Creative Director of the festival.

Our 2013 moving image residencies are aimed at stimulating production and developing talent specifically in non-narrative or experimental artists’ film. They are supported by Creative Scotland’s Creative Futures programme.
The residencies will take the form of single group residency for six artist-filmmakers, held in the Ettrick Valley in the Scottish Borders countryside in October 2013.

A core component of the residency is the inclusion of several expert master-classes/Q&A seminars with artist filmmakers of international standing. The aim of these master-classes is primarily to stimulate new avenues of creative thought through the sharing of experience and skills. We aim for a residency culture of conceptual learning and development, personal reflection and experimentation. Screenings of work will precede the master-classes, and subjects covered may range from practical production techniques to conceptual development, to distribution and film festival promotion. Regular informal experimental film screenings and discussions will be held throughout the residency period.

There are no fixed expectations related to the production of work, though a screening opportunity at the next Alchemy Film and Moving Image Festival will be available to residency participants who have completed work by April 2014. The residency is an opportunity to develop and reflect upon your practice, while simultaneously exploring the work and ideas of other practitioners. It will be an intensely focussed period of time in which we hope you will learn, experiment and have the freedom to take creative risks.


The residencies will happen over 4 consecutive weeks in October 2013. If selected, you should plan to arrive on Tuesday 1st October and leave on Tuesday 29th October.
In applying, you must be in a position to take up the residency during these specific dates.

The deadline for entries is 20th July 2013. After final shortlisting we may conduct telephone / skype interviews in advance of offering of a place. Applicants will be notified of a final decision no later that 20th August 2013.


We encourage applications from:
• Established and early career filmmakers / moving image artists based anywhere in the world.
• Artists working predominantly in another art form who possess basic skills in moving image making, but who wish to extend and enhance their moving image practice.
• All applicants must provide evidence of an established body of work, preferably containing at least some moving image work.
• All applicants are expected to provide their own camera/editing equipment and to possess at least a basic understanding of how to use them.
• You do not need to have an arts or film qualification to apply.
• In applying, you should try to highlight how your practice might benefit from this particular type of residency – its group situation, the exposure to the master-classes and its remote rural setting.

We are aiming for an equitable mix of international, Scottish national and regional participants. The strength of individual applications will take priority in determining the final mix, both geographically and in terms of experience. Participants will be chosen by an independent jury of established filmmaker-artists and arts professionals.


The Scottish Borders is a beautiful region of Scotland, approximately one and a half hours drive south of Edinburgh. It is a remote, exceptionally quiet and sparsely populated region, with a wide and open landscape dominated by hill farming (sheep), rivers and commercial forestry. It is a deeply historic area, once home to the infamous, lawless ‘Border Reivers’. The residencies will be situated in the remote Ettrick Valley. This valley has been a home and source of inspiration for several artists and writers – most notably the ‘Ettrick Shepherd’- James Hogg (1770 –1835). Hogg wrote the astonishing ‘Confessions of a Justified Sinner’, along with many other fine works. He was friendly with Walter Scott, who is also known to have visited the valley. In a more contemporary context, the abstract artist William Johnstone (1897–1981) lived and worked at the head of the Ettrick Valley. The painter Tom Scott (1854–1927) also lived and worked close by in the Yarrow Valley. The valley road is a dead-end road, with the wonderful Over Phawhope Bothy (pictured above) just beyond its end. This bothy has been used for several arts projects (even screenings) over the last few years.
The nearest towns/shops are Selkirk (40 minutes drive) and Hawick (also 40 minutes drive), both of which have strong historic connections to the woollen mill industry, plus a strong tradition of ‘Common Ridings’. There is a limited public transport service (see the timetable) between the Ettrick Valley and the local towns (once or twice a week), for shopping and supplies.

The nearest airport is Edinburgh. Glasgow and Newcastle airports are also within an accessible distance. The closest train stations are Carlisle or Edinburgh. There is a regular bus service to Hawick and Selkirk from both Carlisle and Edinburgh (2 hrs). We will coordinate pick-ups according to individual participant’s transport needs.

Participants should be aware that the Scottish weather is always unpredictable and while the October weather can be beautiful, it will also be cool (though unlikely to dip below freezing in the daytime). It is often wet. Wellington boots and good waterproofs are recommended.


The residencies will be held in self catering accommodation split across two traditional three-bedroom detached cottages approximately one mile apart. Both houses are situated in their own grounds within the stunning open countryside of the Ettrick Valley, ideal for walking. An independent shared studio/workspace may also be available at Ettrick School (a recently closed primary school which now houses exhibitions), a further mile away.
Cottage 1: Elspinhope on Cossarshill Farm
Cottage 2: Ettrick Cottage
Participants will each have their own private room and will live together in two groups of three, coming together regularly as a larger group of six over the four weeks. Bed linen and towels will be provided. Some group meals will be held (and there will be a welcome meal on the first night), but otherwise individuals will self-cater, or cook together as they wish. Participants will be responsible, collectively or individually, for buying their own food and organising their own catering.


These residencies are also an opportunity to escape the tyranny of permanent connectivity. Mobile phone signals are not available anywhere in the valley. Limited internet access may be available at one of the cottages, but it is slow, sporadic and unreliable. It is a 40 minute drive to the nearest town, should you require more reliable internet access.

Each participant will receive a fixed fee of £500, plus £100 per week for catering and expenses (a total of £900). The accommodation and expert seminars are provided free of charge to participants. We regret we cannot directly pay any travel expenses. Limited additional financial support may be available to help complete projects for screening at Alchemy Film and Moving Image Festival 2014.
The total £900 payment will be split into two instalments, with one payment of £500 made on arrival at the residency and the second £400 payment on completion of the residency period.


We are not able to supply cameras, special camera kit, lenses, lights, computers or editing equipment. We will try to help with equipment needs where possible, including directing you toward hire companies if needed. Participants are generally expected to bring their own equipment.

It is important that participants are fully committed to developing their creative practice for the duration of the residency. Partners are not allowed to join participants on the residency. Very brief visits from friends, partners or family may be accepted, but only with the full agreement of the other residency participants after your arrival. We do try to discourage this, as it can break the creative dynamic of the residency experience, for yourself, and for others.
Participation in the six master-classes is an important and unique aspect of this residency and attendance at these is something we hope you will want to fully engage with. Some of these may be held over Skype, on once weekly trips to the local town of Hawick. Others may be in person. If you are not interested in participating in this aspect of the residency, then this residency is probably not right for you.

You can use the residency time to work together or independently. Working together with other participants is not a requirement and it is up to individual participants if they choose to engage in collaborative projects. Collaboration may naturally emerge within the group, but it is never forced. Participants are there to further their own individual creative practice and this must be respected at all times.

You will be expected to be fully ‘in residence’ on-site for the majority of the four weeks, at least for no less than 24 days of the 28 day residency period.

You will be expected to live harmoniously with two others, as part of a wider participant group of six. It is expected that you will respect the privacy and personal space of all other participants, while contributing your share to the tidiness and cleanliness of the house you are in. You will be expected to abide by the house rules, which include refraining from antisocial, threatening, rude, discriminatory or invasive behaviour.

Please fill out the online Residency Application Form. The deadline is 20th July 2013. Applicants will be notified if successful no later that 20th August 2013.

You will need:

• Why you would like to participate (up to 300 words).
• Any specific project ideas you would like to develop (up to 300 words).
• Summary information about your practice (up to 300 words).
• An up to date artist / filmmaker CV.
• Vimeo / online screener links to examples of your moving image work.
• A still image that represents yourself.
• A still image that represents your work.
• Contact details of two referees.

All offers of a place are conditional upon receiving satisfactory references. Your referees will not be contacted until after you have been offered and have accepted a place. Your referees will then be asked to provide a character reference on your suitability for this kind of group residency experience.


Last December I was finally able to watch what is in fact a little video festival: “Water, Water everywhere Paean of a Vanishing Resource”.

Jennifer Heath, the curator of the show had mailed me a package containing five DVDs.  Each DVD carefully and beautifully choreographed. A heroic work of research, selection, organization and dedication that orchestrates the works of about fourty artists from all over the world now gathered in five juicy DVDs.

The DVDs precious content value is high on HO2 and will keep you hydrated for six hours and more. Each DVD is approximately one hour  long. The eclectic mix of video artworks and documentaries are also high in nutritional value: they’ve  kept me nourished to this day!

Embarrassingly it took me a couple of months to get organized with a working DVD player. Then came the part where I had to figure out all the matching wires to finally connect it to a TV. But I wanted to make sure it was going to be special. To enjoy it on a slighly bigger screen than just my little laptop was the plan.

From the beginning I knew I had to honour the work of Jennifer and of so many artists. After all the DVDs had travelled all the way from Boulder, Colorado to Italy, making it across the ocean to deliver a message.

So I took the day off, locked all doors, closed all blinds, switched off the computer and phones and sat back to allow all that amazing energy flow inside what had become a cozy and intimate movie theatre.

For more than six hours, I was glued to the images flooding out of my old TV (praying that the TV would not let me down in the middle of it). The stream of  ‘Water, Water’ gushed out of the screen directly inside me the same way  a glass of water  does in a hot summer day when you hastily drink it and realize how good it taste and how lucky  you are. I do keep forgetting that, how lucky I am, and felt even more so after watching the videos.

I’d already suspected  that Water deserved full attention, but by the time I lifted all blinds back up I just wanted to scream out loud, at the light, at the seven seas and at all the eolian winds of the  importance of Water.  Everybody should know, listen, see, feel ‘Water Water’. The alchemy of sensation generated by the videos inside me were strong and I had to share them.

Of course once out of my little private homemade theatre bubble I got immediately distracted by everyday life and by all the more or less trivial matters that animates it (although I like to argue that nothing is trivial in the end!).

Is that not what we all do: forget? Frenzied into our daily tasks, that makes us somehow detached and forgetful of our bonds that seem to thin down to a weak and distant vanishing point.

So while absorbed in our ‘microcosms’, people like Jennifer Heath frantically work in their magic shop. They dedicate their time and energy to manufacture awareness and to supply us with what we keep forgetting: they industriously and ingenuously work at reactivating our interest in the human cause.

It has taken me another two months to put aside my daily chores, some excuses and some laziness too, to finally write about Water Water, although I have been talking about it with friends and colleagues even started some heated debate and tried to place the Festival in new venues. But maybe you could help too? Wouldn’t it be wonderful to have ‘Water water’  keep flowing?

Jennifer has secured the initial trait of Water Water’s course. It’s travelling through museums and galleries across the US but wouldn’t it be wonderful to see its journey continue all over?

My daily life: a crowded accumulation of  bit and pieces that pile up to make my day. Water runs through it every day, and my pile absorbs it like a dry plant. Daily, I swallow, I soak, I consume, I suck, I splash, I sponge and dissipate water.

Water, the new Petrolium? How awful is that? And not just as a visual. I like my water clear, clean and pure, as well as energizing and fresh, thirst quenching and poetic abundant and universal. I like my water crime-free.

Water is my closest intimate friend that I share with the world. I love water, the  sound of it distresses me and the touch of it irrigates me with well-being.

In this  video festival, 40 personal viewpoints are brought together under the umbrella of Water. It’s art, it’s documentaries, it’s real, it’s only water.

So if you receive an email from me, don’t worry it’s just me trying to do my job and “save the world”! And maybe you could help in spreading the word and the work to the world.